PALAZZINA MASIERI RESTORATION PROJECT

Project Theme: Culture | Restoration

Project Year: 2023-2024

Location: Dorsoduro 3900, Venice

Building Owner: Fondazione Angelo Masieri

Client: Heritage Asset Management | Galerie Negropontes

Building Dimension: 450 Sqm

Design: Barman architects

Project Team: Roberta Bartolone, Giulio Mangano

Contractors: Giuseppe Tonini, Elisabetta Longega, Enrico Trolese, G.R.C. Gruppo Restauro Conservativo, Vianello srl, CIEM

Lighting: Linea Light Group, Stilnovo

Furnishings: Fantin, Lamm, Vipp

Status: Design and Restoration Completed

Photographer: Fabio Purgino

OUR TASK

In 2023, the Angelo Masieri Foundation established a partnership with Heritage Asset Management and Galerie Negropontes to reactivate the building and the Foundation's cultural program.

Architectural renovations concern restoring part of the internal plasterwork and floors, maintaining the wooden windows, and improving the lighting and technological systems.

Barman architects has directed the restoration project and the site management. After building works is completed, the Palazzina Masieri will host temporary exhibitions and cultural events.

THE CONTEXT

The Masieri Foundation was established in memory of Angelo Masieri, a collaborator of Carlo Scarpa, who tragically died in 1952. The memorial was built on a typical Venetian triangular plot at the corner of the Grand Canal and Rio Novo: in the area was situated a vernacular three-floor palace that should have been replaced by a new building commissioned to Frank Lloyd Wright. He designed a residence and study center for architecture students, but the project was rejected to protect the city's historical appearance from the change.

In 1968, Scarpa imagined realizing the Masieri Memorial by removing the interior walls and floors of the original palace, leaving the historical outer walls as a shell within which entirely modern spaces were constructed. The current building represents continuity and change: the ancient façade, visible from the canal, and the new insertion, a masterpiece of light and details. 

The research before the project

The general philosophy is supported by the accurate analysis of the historical and archival documents kept at the Centro Studi Carlo Scarpa in Treviso, the National Museum of XXI Century Arts (MAXXI) in Rome, the Archivio Progetti Iuav in Venice and the archives of the Municipality and the Superintendence of Archaeology, Fine Arts and Landscape for the city of Venice and Lagoon.

The research, started in January 2016, was focused on the chronological reconstruction of the four different versions of the design drawn up by Scarpa. The partial outcomes of the data collection activity have been gathered in the exhibition “Carlo Scarpa after Carlo Scarpa” held at Iuav University of Venice in the same year.

The research carried out led to the understanding the various phases, starting from the unrealized projects to the works, that affected the building up to its current state.